Format

Passion Distribution heads to MIPCOM 2025 with a dynamic and wide-ranging slate designed to captivate global audiences. 
At the heart of the entertainment lineup are two standout formats from RTL Studios, reinforcing Passion’s position as a leader in the global formats space. In #COUPLECHALLENGE, couples are put to the test through extreme physical and mental challenges in a high-stakes competition for €100,000. Packed with emotion, rivalries, and jaw-dropping twists, the series promises an adrenaline-fueled ride. Meanwhile, WORLD OF WONDERS invites three celebrity teams to compete in an epic quiz show celebrating Earth’s most astonishing natural phenomena — from breathtaking wildlife to the planet’s most extreme and remote locations.

On the factual side, Passion brings powerful new perspectives to both the past and the present. THE WHITE HOUSE (4 x 60’), produced by Nutopia for Fox Nation, offers an intimate, dramatized portrait of the world’s most iconic political residence. This premium docudrama opens with the early years of the U.S. presidency — from the Adamses and Jefferson to the Madisons — unveiling their personal struggles and family dramas during a nation’s formative years.

Adding to the historical intrigue, THE QUEST FOR CAMELOT (1 x 60’), from Pioneer Productions for Thirteen, WNET GROUP and SBS, follows Professor Mark Horton as he investigates whether the legend of Camelot may be grounded in historical truth. Using advanced scanning technologies and the latest archaeological findings, the documentary reexamines one of Britain’s most enduring myths.

From ancient legends to modern revelations, WHAT HAPPENS IN VEGAS (2 x 60’), produced by Northern Child Productions for BBC Three, lifts the veil on a city often seen through clichés. Investigative journalist Tir Dhondy dives into the lesser-known realities of Las Vegas, exposing its extremes and uncovering its evolving identity.

Also grounded in the present is IN REAL LIFE (45 x 30’), produced by Evident Media for Scripps News. This contemporary documentary series brings audiences face-to-face with stories shaping our world today — from breakthroughs in animal communication via AI, to the environmental toll of deep-sea mining, and the rise of women in motorsport. With globe-trotting correspondents and cinematic storytelling, it offers urgent, human-centred journalism with global appeal.

Lighter fare comes in the form of two charming lifestyle series. I BOUGHT IT AT AUCTION WITH SARAH BEENY (6 x 60’, from Little Gem and Knockers TV for Channel 4) sees the beloved property expert hunt down hidden auction treasures, restoring them for a new lease of life. Meanwhile, ANGUS ASHWORTH’S YORKSHIRE COUNTRY HOUSE WEEKEND (8 x 60’, from Air TV for Really) revives the magic of 1930s-style weekends, as Angus explores stately homes, uncovers forgotten heirlooms, and raises funds to help preserve Britain’s historic estates.

Returning favourites also feature strongly in the slate. STACEY DOOLEY SLEEPS OVER S4 (3 x 60’, Firecracker Films) continues Stacey’s intimate explorations of extraordinary family dynamics across the UK, while FREDDIE FLINTOFF’S FIELD OF DREAMS S3 (4 x 60’, South Shore) follows Freddie’s heartfelt mission to empower young people through sport, transforming lives in communities often left behind.

True crime remains a cornerstone of Passion’s offering, with new and returning titles that pack an emotional punch. THE MURDER OF NICK BILLINGHAM (1 x 60’, Mentorn Media for ITV) tells the chilling story of a domestic betrayal that shocked the nation. Meanwhile, I MET MY MURDERER ONLINE S2 (26 x 30’, 4:44 Production + Development) returns with more harrowing tales of digital-age relationships ending in tragedy. KILLER AT THE CRIME SCENE S4 (10 x 60’, Spun Gold) continues to dissect real-life murders through the vital forensic clues uncovered in the critical early hours of an investigation.

From entertainment that thrills to stories that matter, Passion Distribution’s MIPCOM 2025 slate is curated to spark conversation and resonate with audiences around the world. Bold, relevant, and emotionally charged — these are the stories that connect us.