Spain emerged as the most awarded country of the night, taking home six trophies, followed by Brazil with four awards and Argentina with three. Mexico and Chile each secured one win, reflecting the increasingly diverse and competitive nature of the Latin American and Spanish audiovisual ecosystem.
From a platform perspective, Netflix, Movistar Plus+ and Globo/Globoplay led the field with two awards each. Prime Video, Disney+, Telefe (Argentina), Canal 13 (Chile), and YouTube also featured among the winners, underscoring the balance between global streamers, regional broadcasters, and digital-native players.
Among production companies, Argentina’s K&S Films stood out, winning Best Drama Series for El Eternauta (Netflix) and Best TV or Streaming Movie for Belén (Prime Video). The recognition of El Eternauta as Best Drama Series also positioned it as the most celebrated Ibero-American scripted title of this year’s edition.
In scripted fiction, Spain delivered particularly strong results via Movistar Plus+. Poquita fe (Season 2), produced by Buendía Estudios, won Best Comedy or Dramedy Series, while Querer, from Feelgood Media and Kowalski Films, was awarded Best Miniseries or Limited Series. Brazil’s Globo was recognised in the long-running format category, with Vale Tudo named Best Telenovela.
In the unscripted arena, Spain claimed Best Documentary or Docuseries with #SeAcabó: Diario de las campeonas, produced by YouFirst Originals for Netflix. Entertainment and reality categories showcased a broad geographical spread: Argentina’s Susana (Telefe) won Best Comedy or Variety Show; Brazil’s Terceira Metade (Boxfish/Globoplay) took Best Factual or Docu-Reality; and Chile’s Mundos opuestos (Cooking Media/Canal 13) was awarded Best Competition Reality.
Children’s and youth programming also played a prominent role. Spain won Best Children’s Content with the animated feature SuperKlaus, while Brazil secured Best Youth Series with Disney+’s O Som e a Sílaba.
In audio, Mexico was recognised with the podcast Skyvan: Los vuelos de la muerte, produced by Sonoro Media, reflecting the Rose d’Or Latinos’ expanding focus beyond audiovisual formats.
Among the newer categories, Spain’s Discovering Canary Islands, produced by IPG Mediabrands Entertainment Initiative and Wakai Media, won Best Branded Entertainment Content. Brazil’s Shark Tank Creators, produced by Floresta for YouTube, was named Best Digital-First Program.
In addition to jury-selected awards, the Rose d’Or Latino a la Trayectoria (Lifetime Achievement Award) was presented to acclaimed Argentine screenwriter, director and producer Juan José Campanella, recognising his enduring contribution to Ibero-American storytelling.
Full List of Winners – Rose d’Or Latinos 2026
Best Telenovela: Vale Tudo – Estúdios Globo / TV Globo (Brazil)
Best Branded Entertainment: Discovering Canary Islands – IPG Mediabrands Entertainment Initiative / Wakai Media (Spain)
Best Comedy or Variety Show: Susana – Telefe (Argentina)
Best Documentary or Docuseries: #SeAcabó: Diario de las campeonas – YouFirst Originals / Netflix (Spain)
Best Audio Content: Skyvan: Los vuelos de la muerte – Sonoro Media (Mexico)
Best Children’s Content: SuperKlaus – 3Doubles Producciones / Capitán Araña / PVP Animation VII (Spain)
Best Youth Series: O Som e a Sílaba – Formata / Non Stop Studios / Disney+ (Brazil)
Best Digital-First Program: Shark Tank Creators – Floresta / YouTube (Brazil)
Best Factual or Docu-Reality: Terceira Metade – Boxfish / Globoplay (Brazil)
Best Competition Reality: Mundos opuestos – Cooking Media / Canal 13 (Chile)
Best Miniseries or Limited Series: Querer – Feelgood Media / Kowalski Films / Movistar Plus+ (Spain)
Best TV or Streaming Movie: Belén – Amazon MGM Studios / K&S Films / Prime Video (Argentina)
Best Comedy or Dramedy Series: Poquita fe (Season 2) – Buendía Estudios / Movistar Plus+ (Spain)
Best Drama Series: El Eternauta – K&S Films / Netflix (Argentina)
photo credit: Simon Wilkinson


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